A Warning for Fair Women' is an anonymous domestic tragedy published in 1599, based on the real-life murder of George Sanders in 1573. The play was performed by Shakespeare's theatre troupe, The King's Men (called The Chamberlain's Men at the time of the performance), and was likely staged at the Globe Theatre. The play has remained relatively obscure, with no modern editions currently in print; available versions are not student-friendly. The play features unique elements such as: References to divination and the occult. A glimpse inside the Renaissance domestic sphere. Several on-stage special effects, such as spontaneously bleeding wounds. An on-stage hanging, a relatively rare element in Renaissance drama at the time of publication. The...
The revenge- and poison- filled tragedies of seventeenth century England astound audiences with thei...
BYSTANDERS in A Warning for Fair Women (published in 1599, ‘lately divers times acted’ by the Lord C...
Book synopsis: For the last twenty years, new historicism has encouraged the analysis of Renaissance...
Available for non-commercial, internal use by students, staff, and faculty at the University of Mich...
A Play Without a Stage: English Renaissance Drama, 1642 to 1660, focuses on the production of early ...
Violence Against Women in Early Modern Performance explores rape and domestic violence against women...
This paper serves as an observation of mid-sixteenth through early-seventeenth century crimes of inf...
Sixteenth- and seventeenth-century public executions were both dramatic and theatrical. But while th...
The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and i...
An intertextual study of Christopher Marlowe's The Massacre at Paris (1593) and Chantelouve's La tra...
What is rape in early modern literature, and what causes it? How do texts configure injury, will, an...
My dissertation, titled Bloody, Strange, and Unnatural Women: Advertising on Early Modern English Ti...
In Thomas Heywood\u27s Apology for Actors (1612), which contributes to the lively debate over the th...
Less spectacular than theatrical violence involving bloodshed, stage murder by poison is nonetheless...
The characterization of women in the English theatre during the late seventeenth century shows femal...
The revenge- and poison- filled tragedies of seventeenth century England astound audiences with thei...
BYSTANDERS in A Warning for Fair Women (published in 1599, ‘lately divers times acted’ by the Lord C...
Book synopsis: For the last twenty years, new historicism has encouraged the analysis of Renaissance...
Available for non-commercial, internal use by students, staff, and faculty at the University of Mich...
A Play Without a Stage: English Renaissance Drama, 1642 to 1660, focuses on the production of early ...
Violence Against Women in Early Modern Performance explores rape and domestic violence against women...
This paper serves as an observation of mid-sixteenth through early-seventeenth century crimes of inf...
Sixteenth- and seventeenth-century public executions were both dramatic and theatrical. But while th...
The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and i...
An intertextual study of Christopher Marlowe's The Massacre at Paris (1593) and Chantelouve's La tra...
What is rape in early modern literature, and what causes it? How do texts configure injury, will, an...
My dissertation, titled Bloody, Strange, and Unnatural Women: Advertising on Early Modern English Ti...
In Thomas Heywood\u27s Apology for Actors (1612), which contributes to the lively debate over the th...
Less spectacular than theatrical violence involving bloodshed, stage murder by poison is nonetheless...
The characterization of women in the English theatre during the late seventeenth century shows femal...
The revenge- and poison- filled tragedies of seventeenth century England astound audiences with thei...
BYSTANDERS in A Warning for Fair Women (published in 1599, ‘lately divers times acted’ by the Lord C...
Book synopsis: For the last twenty years, new historicism has encouraged the analysis of Renaissance...